Archive for August, 2008

Images of 1968 Chicago Riots at Panopticon Gallery

Sunday, August 31st, 2008

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“Anti-war Protester Confronts National Guardsmen at Grant Park, Chicago, August 28, 1968” © Ron Pownall courtesy of Panopticon Gallery, Boston, MA

The Whole World Was Watching: Images from the 1968 Chicago Riots. Photographs by Ron Pownall

The Whole World Was Watching at Boston’s Panopticon Gallery features dramatic black and white photographs taken by Ron Pownall during the 1968 Chicago Riots. The raw and gritty images immediately transport the viewer to a turbulent time in American history and serve as a striking juxtaposition to the 2008 Democratic National Convention in Denver, Colorado.

August 21st - October 6th, 2008
Opening Reception: Thursday, September 18th, 5:00pm-7:00pm

Review in the Boston Phoenix.

Protest Harassment in Twin Cities

Sunday, August 31st, 2008

Two great organizations are providing on-the-street video coverage of the protest actions in Minneapolis, now focusing on widespread police actions against organizers and journalists like Democracy Now’s Amy Goodman:

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The Uptake

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I-Witness Video

Another Protest Song

Sunday, August 31st, 2008

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Artists Angel Nevarez and Valerie Tevere think its time for new protest songs to be sung.  With their new website, anotherprotestsong.org, they are inviting artists, songwriters, and musicians to create, upload, listen, and debate new songs of protest as part of a growing audio archive of politically engaged music.  The archive will be included in Creative Time’s, Democracy in America: The National Campaign.

Great background on the history of protest music here.

Art Responds to War at University of Maryland

Sunday, August 31st, 2008

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From Aquila Theater’s production of the Illiad
This fall and next spring The Clarice Smith Performing Arts Center at the University of Maryland will highlight issues at the pulse point of contemporary life: “Art Responds to War,” and “War and Representations of War.” Upcoming programs will include:

Oct. 30: Kronos Quartet performs “Black Angels,” George Crumb’s highly unorthodox, 1970 work inspired by the Vietnam War. Also on the program: “…hold me, neighbor, in this storm…,” the latest work of Serbian composer Aleksandra Vrebalov, co-commissioned by the Clarice Smith Center.

Nov. 2: Kronos Quartet presents “Alternative Radio: Another World is Possible,” weaving together musical performance and discussion about world events in a radio show format, featuring broadcaster/writer David Barsamian and Code Pink co-founder Diane Wilson.

Nov. 6-7: David Dorfman Dance’s multi-media “underground” scrutinizes the boundaries between activism and terrorism and poses the question, “In a violent world, can you fight for peace?” Performances will incorporate community participants in choreographed scenes of protest.Nov. 11-12: Aquila Theatre Company sets “The Iliad,” Homer’s epic poem about the final year of the Trojan War, in WWII Normandy in June 1944. In honor of Veterans’ Day, both performances are offered at a reduced price of $15 to current members of the military and retired veterans.

More information and tickets are available at www.claricesmithcenter.umd.edu or by calling the ticket office at (301) 405-ARTS (2787). The Center is located on Stadium Drive near the intersection of University Boulevard (Route 193) and Stadium Drive in College Park. A parking garage is conveniently located across the street from the Center.

Iraq War Billboard Protest Censored in Minneapolis

Thursday, August 28th, 2008

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Corporate graffiti-monger CBS Outdoor has refused to post billboards of Suzanne Opton’s portraits of Iraq war soldiers:

…out-of-context (neither in a museum setting or website) the images, as stand-alone highway or city billboards, appear to be deceased soldiers. The presentation in this manner could be perceived as being disrespectful to the men and women in our armed forces. Jodi Senese, Executive Vice President of Marketing, CBS Outdoor

Of course, they are anything but deceased and the project conveys nothing but deep concern and respect for the soldiers- all of whom willingly took part in Opton’s powerful photographic enterprise.

Here for NY Times coverage.

Jon Winet’s Electoral College

Thursday, August 28th, 2008

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For new media artist Jon Winet and his merry band of artists, writers and technologistas, the electoral process is a just a giant studio for probing the boundries of art and journalism.  Jon’s quadrenniel project, The Electoral College, is now in full swing at the Conventions in Denver this week and the Twin Cities next week.

You can tune in to some of Jon’s results-in-progress here, including photographs, short videos, widgets, and blogging about the confluences of politics, media and art.

This is a great opportunity to see behind the mediated scenery and scripted spectacles.

Party Headquarters: Voting is Just the Beginning

Wednesday, August 20th, 2008

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Art critic Eleanor Heartney and perfomance artist Larry Litt are curating Party Headquarters at Pratt Manhatten Gallery. Artworks will examine diverse artists’ opinions about political media, the art of persuasion, the persuasion of art, voting attitudes, and the consequences of democracy. Artists in the show:

Kyle Goen

Cheryl Harper

Kenneth Tin-Kin Hung

Ligorano/Reese

Jack McLean

Arnold Mesches

Dan Mills

Tim Rollins and KOS

Claude van Lingen

Allan Wexler
Yee Haw IndustriesThe show opens Thursday, September 25, 6-8pm. Free coffee, donuts and political art, through November 4th!

Pratt Manhattan Gallery
144 West 14th Street, 2nd floor
New York, NY 10011
Tuesday-Saturday 11am-6pm
212-647-7778

Citizen Artist: Deborah Faye Lawrence

Sunday, August 17th, 2008

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Deborah Faye Lawrence’s new masterful collage series will be shown at Seattle’s Catherine Person Gallery.  The exhibition, entitled ‘Citizen Artist’, satirically address progressive political concerns.  Her flawlessly integrated photographic collages, painted illustrations and reproductions are disruptive, irreverent, passionate and intelligent.

In a new body of work Lawrence explores silhouettes of human figures who respond to one another with nurturance, despite their exposure to and saturation with violence. The silhouettes float on a ground of shredded documents, which include everything from words and images from advertising, popular culture and advertising to the U.S. Constitution and The Bill of Rights.

Lawrence has a great new art book published by Marquand Books entitled ‘Dee Dee Does Utopia‘, available at the gallery.

Exhibition dates: September 4 - 27, 2008

Opening Reception Thursday, September 4, 6-8 pm

Conversation with the Artist, Saturday, September 6, 1 pm

Futurefarmers’ Energy Plans

Thursday, August 14th, 2008

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Futurefarmer’s Energy Plans landed at the Peggy Notebaert Nature Museum in Chicago, Illinois on July 21 and 22. Hosting two building workshops and 4 discussion sessions led by scientists from the University of Chicago, the general public was invited to participate in discussions around energy issues. The questions produced in these small discussion groups were posed to larger groups in the form of a Continuum:

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Energy Plans is a part of BrushFire and will be included in Provision’s upcoming exhibition Close Encounters: Facing The Future at the American University Museum, Sept 13 - Oct 26.

Washington Printmakers Gallery

Wednesday, August 13th, 2008

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Date: July 29 – Aug 31, 2008
Location: Washington Printmakers Gallery
1732 Connecticut Ave. NW, 2nd Floor
Washington, DC 20009

About the Exhibit:

COLLATERAL DAMAGED by Ann Johnston-Schuster

The show’s title Collateral Damaged refers to the incalculable and resonating damage incurred by war. In her woodcuts artists Ann Johnston-Schuster endeavors to redefine personal vulnerability, not as a constraint but as a link to our humanity.  Her figures are children that have fallen victim to the physical and emotional constraints placed upon them. In a society built upon the precepts of aggression, vulnerability leaves them often isolated and forgotten.

District of Columbia Arts Center

Wednesday, August 13th, 2008

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Date: October 17th- November 16th

Location: District of Columbia Arts Center (DCAC)
2438 18th Street NW
Washington, DC 20009

www.dcartscenter.org

Exhibit Description:

“Suspicious Activities” is a collection of paintings and works on paper exploring the politicization of language during the process of corporate globalization. Instead of accusing the individual of “suspicious activities” the Artists Aziza Claudia Gibson-Hunter turns a critical gaze on the language of the Bush administration. Her work deals with Katrina, but also other recent government activities like extraordinary rendition and the war on terror.

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Touchstone Gallery

Wednesday, August 13th, 2008

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Date: September 10th- October 4th

Location: TOUCHSTONE GALLERY
406 7th St NW 2nd Floor
Washington, DC 20004

www.touchstonegallery.com

Presented by: The Embassy of the Kingdom of the Netherlands and Embassy of Afghanistan

“In Afghanistan” Photographs by Award-winning Dutch photographer Hans Stakelbeek

Hans Stakelbeek documented daily life through photography during his visit to Afghanistan. His photos capture Afghans as they rebuild their lives in the background of their countries spectacular landscape. “In Afghanistan” is a series of 54-high quality professional photographs that reveal the daily lives of Afghan people in vivid color. These photographs were taken during the NATO mission that assisted the Afghan government to bring security and stabilization to the nation. The exhibit was previously shown in Berlin and London. Touchstone Gallery will be the host for this exhibits American opening.
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